Over two screens, the work follows the motion of a continuous run that happens in the same places, but over reversed timelines. The places converge in the middle, when the light finds a brief balance before drifting off in opposite directions again.

Drawing on the idea that the symbols of our dreams are nature speaking through us, the work treats space as porous and time as malleable. What matters more than locations and timelines here is the affective language of landscapes and motion, which is underscored by a sound dissolving the boundary between the two screens.


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